Henry IV, Part II

ISC RADIO SHAKESPEARE LAB

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Cast for the Recordings

Facilitated, edited, and with music composed & performed by Ariana Karp, Artistic Director

  • Samantha Blinn as Mistress Quickly, Lady Percy, Lord Hastings, Humphrey Duke of Gloucester, & Epilogue

  • Rhoda Bodzin as Lord Chief Justice, Silence, Moldy, & Beadle

  • Amber Devlin as Justice Shallow, Morton, Snare, Lady Northumberland, Peto, Will the 3rd Drawer, Harcourt, & 2nd Groom

  • Eric Devlin as King Henry IV & Francis

  • Ellyn Heald as Doll Tear-sheet, Poins, Fang, Westmoreland, Messenger, Coleville, Feeble, & 3rd Groom

  • Marty Madden as Sir John Falstaff

  • Mike Marcou as Archbishop of York, Bardolph, & Pistol

  • Liam Mitchell as John of Lancaster, Lord Bardolph, Pageboy, Warwick, & 1st Groom

  • Danielle Reddick as Rumor, Porter, 2nd Drawer, Northumberland, Shadow, Wart, Mowbray Lord Marshal, Thomas Duke of Clarence, & Davy

  • Noah Segard as Prince Hal (later King Henry V), Travers, Servant, Thomas Gower, & Bullcalf


If I had a thousand sons, the first humane principal I would teach them, should be to forswear thin potations, and to addict themselves to sack.
— Falstaff, Henry IV, Part II, 4.3

Tabling: Henry IV, Part II

Links to the discussions that the cast had in preparation for the recordings. You can subscribe to Radio Shakespeare Lab and Tabling: The Podcast on any of your favorite podcasting platforms!

How many thousand of my poorest subjects
Are at this hour asleep? O sleep, O gentle sleep,
Natures soft nurse, how have I frighted thee,
That thou no more wilt weigh my eye-lids down,
And steep my senses in forgetfulness?
— King Henry, Henry IV, Part II, 3.1

iReadShakespeare Resources

A wonderful resource and support page for readers and those looking for further information on Shakespeare’s plays.

The Radio Play

Originally released on Radio Shakespeare Lab, March 26 thru April 9, 2021. Each track is a scene from King Henry IV, Part II, voiced by actors from across the country and includes sound effects and original music. The act and scene breaks are based on the 1623 Folio.